Character Development In Sense And Sensibility :: essays research papers

Book Review 1 developing of Major Characters soul and SensibilityThe first of Jane Austens published novels, Sense and Sensibility, portrays the life and loves of two in truth different childs Elinor and Marianne Dashwood. The contrast between the sisters characters results in their attraction to vastly different men, sparking family and societal dramas that atomic number 18 played out around their contrasting romances. The younger sister, Marianne Dashwood, emerges as whiz of the novels major characters through her treatment and characterization of people, embodying of emotion, kin with her mother and sisters, openness, and enthusiasm.Marianne is in the jejune business of classifying people- especially men- as amatory or unromantic (Intro II). Mariannes checklist mentality is observed by ElinorWell, Mariannefor one morning I think you come done pretty salubrious. You know what he thinks of Cowper and Scott you are certain of his estimating their beauties as he ought, and yo u have e actually assurance of his admiring Pope no more than proper. (Chapter 10) To site a specific incident, Marianne describes her opinion of Edward Ferrars- her sisters interest- as being very amiable, but he is not the kind of man she expects to seriously cast up to her sister. She goes on to find, what in her opinion are flaws, that Edward Ferrars commemorates with little feeling or emotion, does not regard music highly, and that he enjoys Elinors drawing, yet cannot assess it, for he is not an artist (15).In a man, Marianne seeks a sports fan and a connoisseur, whose tastes coincide with her tastes. He must be open with feelings, read the same books, and be charmed by the same music (15). Marianne seeks a man with all of Edwards virtues, and his person and manner must dress his goodness with every possible charm (16). Mariannes mother relates Mariannes maturity beyond her years by reminding Marianne Remember, my love, that you are not seventeen. It is yet too early in life to despair of such an merriment (16). Mariannes brand of free expression sometimes has little else to urge it (Intro, I). What is true of Mariannes classification system is true of her manners in general In her refusal to place social decorum and propriety to a higher place her own impulses and desires, she is absolutely unbending (Intro, II). Marianne is also characterized as being very charming. For example, she believes her poetic effusions to be striking in themselves as well as accurate expressions of her inner life (Intro, VII).