Thursday, February 14, 2019
Makeup for Performers :: Drama
Makeup for Performers--------------------- maturation with turd Makeup.There are a lot of suckups you can engross to adduce an aging affect,but I decided to use grease. The grease slangup I utilize was a flake intuitive feeling palate by Kryolan.Before doing any fundamental law techniques I studied the become and size of mybone structure and my facial features, this is so I knew where to justness and highlight. To pretend the aging affect I practiced shadingand high spot some(prenominal) on my hand and my facial expression, to do this I used asmall-medium surface brush.After a number of sessions practicing the play up and shading, onthe eighteenth of February I utilise the makeup to be photographed andassessed.Before applying the makeup I cleansed my face with a light cleanser byNo7 for normal skin. I consequently applied a toner, also by No7 for normalskin, and whence at long last applied a moisturizer from The Body Shop fornormal to buttery skin. I left the m oisturizer on my skin for 10minutes to make trustworthy there wont be any staining on the skin from themakeup.I applied the hindquarters makeup to the face and the recognise I applied it tothe neck as it is an important leave of the aging process. The coloring material Iused for my base makeup was 5w in the Kryolan skin tone palate, and Iused a laytex sponge to apply. I then started by nonplus my shading lineson to my face, using a mix of timbres, 7w and 9w. I started by makingsome bags and darkened scene of actions around the philias I did this by drawing athin line under the marrow then, with a clean brush, dragging the excessmakeup up towards the bosom blackening the area. To make areas lookpuffy, I highlighted around the shading areas to make the shaded arealook more indented. To do this I used the shade 2w from my palate.The neck is an important part in the aging process peculiarly when the reference point is fight a low neck top. To draw in the ham-strings I putmy head brush up and turned it to the side so the ham-strings stuck out. Ithen drew in my lines, shading the lines and then highlighting thepart in between the lines so the shaded area looked indented. If thecharacter is warring a low cut top, then you will have to wad thelines down to the top of the shoulder bone, also shading the saltcellars at the base of the throat.To make the eye brows look messy and unplucked, I used an eye pencilMakeup for Performers DramaMakeup for Performers---------------------Aging with Grease Makeup.There are a lot of makeups you can use to produce an aging affect,but I decided to use grease. The grease makeup I used was a skin tonepalate by Kryolan.Before doing any makeup techniques I studied the shape and size of mybone structure and my facial features, this is so I knew where toshade and highlight. To create the aging affect I practiced shadingand highlighting both on my hand and my face, to do this I used asmall-medium sized brush.After a number o f sessions practicing the highlighting and shading, onthe 18th of February I applied the makeup to be photographed andassessed.Before applying the makeup I cleansed my face with a light cleanser byNo7 for normal skin. I then applied a toner, also by No7 for normalskin, and then finally applied a moisturizer from The Body Shop fornormal to greasy skin. I left the moisturizer on my skin for 10minutes to make sure there wont be any staining on the skin from themakeup.I applied the base makeup to the face and the neck I applied it tothe neck as it is an important part of the aging process. The colour Iused for my base makeup was 5w in the Kryolan skin tone palate, and Iused a laytex sponge to apply. I then started by put my shading lineson to my face, using a mix of shades, 7w and 9w. I started by makingsome bags and darkened areas around the eyes I did this by drawing athin line under the eye then, with a clean brush, dragging the excessmakeup up towards the eye darkening the area. To make areas lookpuffy, I highlighted around the shading areas to make the shaded arealook more indented. To do this I used the shade 2w from my palate.The neck is an important part in the aging process especially when thecharacter is warring a low neck top. To draw in the ham-strings I putmy head down and turned it to the side so the ham-strings stuck out. Ithen drew in my lines, shading the lines and then highlighting thepart in between the lines so the shaded area looked indented. If thecharacter is warring a low cut top, then you will have to carry thelines down to the top of the shoulder bone, also shading the saltcellars at the base of the throat.To make the eye brows look messy and unplucked, I used an eye pencil
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